Dissatisfied with life at home, a young girl travels through other residences in her suburban neighborhood. She does what all of us would like to do: experience the domestic stories being played out by our neighbors. This tale is a voyeurist's paradise.

On December 23, 2013, former Federal Chancellor Helmut Schmidt will be 95 years old. As the second Social Democratic head of government in the Federal Republic of Germany, he shaped the country like few other chancellors. Even 30 years after the end of his time in government, he is still a highly esteemed expert whose advice and opinions are in demand. He is one of the most popular chancellors among the population and is held in the highest esteem by his party; even his political opponents at the time pay him the greatest respect.

Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.

Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.

Dissatisfied with life at home, a young girl travels through other residences in her suburban neighborhood. She does what all of us would like to do: experience the domestic stories being played out by our neighbors. This tale is a voyeurist's paradise.

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芝加哥建筑电影节电影 　　澳大利亚建筑师与自然结合的设计

Based on Michael O’Neill’s book of the same name, this documentary tells the story of the ten years the author spent photographing yoga’s great masters. Created as a deep extension of the original book, the film poses very human questions from our current perspective, mixing it with elements of movement and experiential sound, resulting in a new view of the Art of Yoga.

ON YOGA: The Architecture of Peace is director Heitor Dhalia's new film and his first documentary, it follows photographer Michael O'Neill as he talks to the great Yoga masters in India, Tibet and New York.

This documentary recreates a genuine sense of the personal presense of the late modern architect, Paul Rudolph, and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. The episode during the construction of the chapel at Emory University gives insight into the kinds of frustrations artists often suffer at the hands of short-sighted patrons. A fine film, based upon the reality it conveys, if for no other reason.